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Physical poses are set in motion, like in many of Lassnig’s film works. Nudes. Engaged leg, free leg. A wild circular dance of silhouettes, templates and multiplications. And a game involving art historical platitudes to top it all off.
Physical poses and nude forms twist in motion as in Lassnig's films. Legs engaged and free in a wild, circular silhouette dance. Repeating templates and figures multiply. A finale critiques art history platitudes.